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	<title>Comments on: New York Times Editor&#8217;s Choice Pick</title>
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		<title>By: jürgen fauth&#8217;s muckworld &#187; The Motel</title>
		<link>http://marcydermansky.com/2005/12/11/new-york-times-editors-choice-pick/comment-page-1/#comment-2</link>
		<dc:creator>jürgen fauth&#8217;s muckworld &#187; The Motel</dc:creator>
		<pubDate>Fri, 24 Nov 2006 21:09:50 +0000</pubDate>
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		<description>[...] In my experience, pitching anything as &#8220;coming of age&#8221; story is instant death. Somehow, it reeks of overly familiar stuff that everybody is supposed to have moved past long ago. Bildungsroman has a slightly better ring to it, especially if you can hyphenate it somehow, but the idea is the same: teenagers learning about responsibility and identity and love and sex and death&#8211;ugh, right? Well, no. As Frederick Barthelme once told me, semi-cryptically: &#8220;It&#8217;s a rug.&#8221; Categorizing something doesn&#8217;t fully describe it yet, and it certainly doesn&#8217;t imply a value judgment. Most stories owe a huge debt to the major arcana and Joseph Campbell&#8217;s monomyth, but that doesn&#8217;t make them bad rugs, dig? [...]</description>
		<content:encoded><![CDATA[<p>[...] In my experience, pitching anything as &#8220;coming of age&#8221; story is instant death. Somehow, it reeks of overly familiar stuff that everybody is supposed to have moved past long ago. Bildungsroman has a slightly better ring to it, especially if you can hyphenate it somehow, but the idea is the same: teenagers learning about responsibility and identity and love and sex and death&#8211;ugh, right? Well, no. As Frederick Barthelme once told me, semi-cryptically: &#8220;It&#8217;s a rug.&#8221; Categorizing something doesn&#8217;t fully describe it yet, and it certainly doesn&#8217;t imply a value judgment. Most stories owe a huge debt to the major arcana and Joseph Campbell&#8217;s monomyth, but that doesn&#8217;t make them bad rugs, dig? [...]</p>
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