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	<title>Comments for Marcy Dermansky</title>
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		<title>Comment on Bad Marie by On Book Reviews and &#8220;Literary&#8221; and &#8220;Popular&#8221; Fiction : Lawyers, Guns &#38; Money</title>
		<link>http://marcydermansky.com/badmarie/comment-page-1/#comment-51469</link>
		<dc:creator>On Book Reviews and &#8220;Literary&#8221; and &#8220;Popular&#8221; Fiction : Lawyers, Guns &#38; Money</dc:creator>
		<pubDate>Fri, 27 Aug 2010 20:02:40 +0000</pubDate>
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		<description>[...] Is the Times book review unduly focused on male writers from Brooklyn?Â Â  Possibly!Â  It would require a much more systematic analysis than I&#8217;m willing to do.Â Â Â  I can say that coincidentally four of the five works of fiction I&#8217;ve read most recently &#8212; Marcy Dermansky&#8217;s very well-turned noir Bad Marie, Anne Lamont&#8217;s Imperfect Birds, Lorrie Moore&#8217;s typically exceptional A Gate at the Stairs, and Alice Munro&#8217;s Selected Stories &#8212; happen to have been written by women.Â Â  All but the first*, for what it&#8217;s worth, received positive notices in the Times. Munro is another good example of the fact that major work can appeal to a broad audience, and the first two blur lines betwen &#8220;literary&#8221; and &#8220;genre&#8221; fiction, but I if I had to guess I don&#8217;t think the attention paid by the Times to female &#8220;literary&#8221; novelists is especially low.Â Â Â  Scanning my shelves for other recent favorites, I would also say that other important authors such as Enright, Gaitskill, Zadie Smith have also gotten a reasonable level of engagement.Â Â Â  Whether it&#8217;s high enough is a matter of judgment, but at a minimum I don&#8217;t see the kind of easy prima facie case you would have against, say, the Washington Post op-ed page.Â  [*Dermansky, generously responding to my inquiry, notes that Bad Marie was discussed in this Times article and did receive a variety of other prominent notices.] [...]</description>
		<content:encoded><![CDATA[<p>[...] Is the Times book review unduly focused on male writers from Brooklyn?Â Â  Possibly!Â  It would require a much more systematic analysis than I&#8217;m willing to do.Â Â Â  I can say that coincidentally four of the five works of fiction I&#8217;ve read most recently &#8212; Marcy Dermansky&#8217;s very well-turned noir Bad Marie, Anne Lamont&#8217;s Imperfect Birds, Lorrie Moore&#8217;s typically exceptional A Gate at the Stairs, and Alice Munro&#8217;s Selected Stories &#8212; happen to have been written by women.Â Â  All but the first*, for what it&#8217;s worth, received positive notices in the Times. Munro is another good example of the fact that major work can appeal to a broad audience, and the first two blur lines betwen &#8220;literary&#8221; and &#8220;genre&#8221; fiction, but I if I had to guess I don&#8217;t think the attention paid by the Times to female &#8220;literary&#8221; novelists is especially low.Â Â Â  Scanning my shelves for other recent favorites, I would also say that other important authors such as Enright, Gaitskill, Zadie Smith have also gotten a reasonable level of engagement.Â Â Â  Whether it&#8217;s high enough is a matter of judgment, but at a minimum I don&#8217;t see the kind of easy prima facie case you would have against, say, the Washington Post op-ed page.Â  [*Dermansky, generously responding to my inquiry, notes that Bad Marie was discussed in this Times article and did receive a variety of other prominent notices.] [...]</p>
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		<title>Comment on Bad Marie by Fictionaut Five: Marcy Dermansky - Fictionaut Blog</title>
		<link>http://marcydermansky.com/badmarie/comment-page-1/#comment-51331</link>
		<dc:creator>Fictionaut Five: Marcy Dermansky - Fictionaut Blog</dc:creator>
		<pubDate>Wed, 07 Jul 2010 15:10:38 +0000</pubDate>
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		<description>[...] Dermansky is the author of Bad Marie (just released) and Twins (2005). Her short stories have been published in numerous literary [...]</description>
		<content:encoded><![CDATA[<p>[...] Dermansky is the author of Bad Marie (just released) and Twins (2005). Her short stories have been published in numerous literary [...]</p>
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		<title>Comment on Events by Coming Soon: Bad Marie &#124; jÃ¼rgen fauth's muckworld</title>
		<link>http://marcydermansky.com/events/comment-page-1/#comment-51171</link>
		<dc:creator>Coming Soon: Bad Marie &#124; jÃ¼rgen fauth's muckworld</dc:creator>
		<pubDate>Mon, 07 Jun 2010 15:50:29 +0000</pubDate>
		<guid isPermaLink="false">http://marcydermansky.com/?page_id=66#comment-51171</guid>
		<description>[...] if you can&#8217;t make it, there will be more events. June 29 at Bookcourt in Brooklyn with debut novelist Emily Gray Tedrowe, June 30 in Boston with [...]</description>
		<content:encoded><![CDATA[<p>[...] if you can&#8217;t make it, there will be more events. June 29 at Bookcourt in Brooklyn with debut novelist Emily Gray Tedrowe, June 30 in Boston with [...]</p>
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		<title>Comment on New York Times Editorâ€™s Choice Pick by jürgen fauth&#8217;s muckworld &#187; The Motel</title>
		<link>http://marcydermansky.com/2005/12/11/new-york-times-editors-choice-pick/comment-page-1/#comment-2</link>
		<dc:creator>jürgen fauth&#8217;s muckworld &#187; The Motel</dc:creator>
		<pubDate>Fri, 24 Nov 2006 21:09:50 +0000</pubDate>
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		<description>[...] In my experience, pitching anything as &#8220;coming of age&#8221; story is instant death. Somehow, it reeks of overly familiar stuff that everybody is supposed to have moved past long ago. Bildungsroman has a slightly better ring to it, especially if you can hyphenate it somehow, but the idea is the same: teenagers learning about responsibility and identity and love and sex and death&#8211;ugh, right? Well, no. As Frederick Barthelme once told me, semi-cryptically: &#8220;It&#8217;s a rug.&#8221; Categorizing something doesn&#8217;t fully describe it yet, and it certainly doesn&#8217;t imply a value judgment. Most stories owe a huge debt to the major arcana and Joseph Campbell&#8217;s monomyth, but that doesn&#8217;t make them bad rugs, dig? [...]</description>
		<content:encoded><![CDATA[<p>[...] In my experience, pitching anything as &#8220;coming of age&#8221; story is instant death. Somehow, it reeks of overly familiar stuff that everybody is supposed to have moved past long ago. Bildungsroman has a slightly better ring to it, especially if you can hyphenate it somehow, but the idea is the same: teenagers learning about responsibility and identity and love and sex and death&#8211;ugh, right? Well, no. As Frederick Barthelme once told me, semi-cryptically: &#8220;It&#8217;s a rug.&#8221; Categorizing something doesn&#8217;t fully describe it yet, and it certainly doesn&#8217;t imply a value judgment. Most stories owe a huge debt to the major arcana and Joseph Campbell&#8217;s monomyth, but that doesn&#8217;t make them bad rugs, dig? [...]</p>
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